The frescoes painted by Giambattista and Giandomenico Tiepolo, father and son, are the gems of Villa Valmarana ai Nani.
Each of the two Venetian artists mainly painted only one building of the Villa, although sometimes they have worked together.
The frescoes painted by Giambattista and Giandomenico Tiepolo, father and son, are the gems of Villa Valmarana ai Nani.
Each of the two Venetian artists mainly painted only one building of the Villa, although sometimes they have worked together.
Villa Valmarana ai Nani dates back to 1669. Its construction was commissioned by Giovanni Maria Bertolo, a lawyer; then the mansion was inherited by Bertolo's daughter, Giulia, a nun living in the convent of All Saints in Padua; in 1715 Giustino Valmarana purchased the Villa from the convent.
The enlargement of Villa Valmarana ai Nani is due to Giustino, who appointed the architect Francesco Muttoni to develop the entrances, the stable and the Foresteria (which formerly was a barchessa, a typical Italian rural building).
Visiting Villa Valmarana ai Nani is like travelling back to the 18th century, not only because of its wonderful frescoes but also thanks to its magnificent open spaces.
The Valmarana family can be traced back at least to the Middle Ages. The first written source dates back to 1174 and tells that a member is an archdeacon of the Carthedral of Vicenza. In 1260 a member called Bonazonta is considered “homo molto amato dal popolo” (“a man much loved by the people”), while another one called Bugarando is mentioned as one of the most powerful enemies of the tyrant Ezzelino da Romano. Around 1300 the family splits in three branches: Villa Valmarana ai Nani was purchased by the San Faustino branch, to which is still belonging nowadays.